While I was looking at the Nikon, the two salesmen asked to try out my Leica M10. In the second picture, taken with the M10, everything I like in it was an accident. I was trying out the Nikon Z7 at a camera store in Chiang Mai. The image was underexposed by over 4 stops, but lifting the shadows in Lightroom worked well. Before taking the MM image in the Paris restaurant, I was turned around looking through the window behind the man in the picture into bright, noontime light - that's why the shutter speed was 1/2000 sec then, as I was swinging around to face my table, the woman made that gesture and I pressed the shutter without having brought the camera up to my face, but had managed to bring the focu back to less than 1.5m without looking at the camera: actually, her hand been up to her face before she turned to me. The first set, is similar in that the two pictures results from chance, 'lucky accidents'.

You don't say what what type of photography you're interested in, but below are two sets. So, these days, I prefer to have the M10. Daido Moriyama says the one of the things he likes about digital is that he can chose later whether to use B&W or color: sometimes he publishes both, in different contexts. Having had the M-Monochrom, I've always felt that it's great camera, but I prefer having the flexibility of the color channels of the M10 for getting the tones I want in post-processing. I agree entirely with what Jaap says about the post-processing effort required for both cameras.

Leica m10p